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Ottawa Citizen , December 22, Ottawa Citizen , June 22, The Province , September 26, Ottawa Citizen , May 4, Houston Today , via Silver Chair.
When the novel The Joy Luck Club was released in , Wayne Wang approached Amy Tan, the novel's author, with the idea of adapting the novel that he admired into a film.
A lot of executives and producers are afraid of voiceovers because they say it distances the audience from the action.
I felt differently. It allowed you into the inner heart of the narrator [and] to understand their feelings in a way you could never do in dialogue.
Wayne Wang, Amy Tan, and Ronald Bass teamed up with the Ixtlan Corporation, including its staff members, Oliver Stone and Janet Yang, who was the company's vice president and had a profound interest in the project.
Stone and Wang reconciled their differences enabling them to work together and finally agreed to produce the film together  along with other producers.
Carolco Pictures initially agreed to support the project in spring , but the company had fiscal problems, and the filmmakers turned down the contract six months later in fall due to not receiving the level of creative control that they demanded.
Despite that she lacked filmmaking experience, "[Amy] Tan found the process not nearly as bad as she had feared. She was happy that collaborating meant discussions and that they were followed by time to write on her own.
The producers were surprised, but Yang felt in retrospect that Joy Luck "fits in with Disney's agenda—taking a chance on low-budget projects not dependent on star power".
She described Disney as being "less hands-on than usual" through not being familiar with the subject matter.
In regards to casting, director Wang filled 50 speaking parts for female characters and ten parts for male characters.
He had to find Asian actresses who were visually distinct despite the lack of variation in hair color and ethnic features, and additionally he had to find actresses of different ages similar in appearance to younger or older selves as different parts of the film occur in different time periods.
Additionally he wanted to use several actresses and actors who spoke Mandarin, so this aspect limited casting options.
A total of fifteen actresses portrayed the main characters, with the main group consisting of eight. Hsu Ying Li — , who portrayed the matchmaker in the film, and worked as a culture consultant on set, was killed in a car accident in Oakland, California on April 28, Reviews of The Joy Luck Club were generally positive.
It was voted one of the favorite films of among 1, readers of The Arizona Daily Star , ranked number 14 out of Burr found the story "exhausting" and preachy, he criticized the "cringingly bald, full of self-help blather" dialogue, and deemed male characters as "perfidies".
However, he found the acting "generous [and] intelligent", and picked the segment of Rosalind Chao and Lisa Lu as "the only one that feels genuinely cinematic [yet] too late to save the movie".
David Denby from The New Yorker called the film "a superb achievement" and praised the director's "impressive visual skills".
However, Denby criticized the film writing, "[I]ts tone is relentlessly earnest, its meanings limited or wanly inspirational, and my emotions, rather than well[ed] up, remained small.
However, he also found it too long with "too many stories and [.. Harvard Crimson writer, Allen Soong, reflected that "while the women in this film are fully fleshed-out characters who are a remarkable improvement over the "exotic Oriental" Cassandra from Wayne's World , the male characters are merely additions to the long list of negative images of Asian men in our culture.
Petersburg, Florida. The soundtrack was released by Hollywood Records on September 28, Filmtracks website and Jason Ankeny from Allmusic gave the soundtrack four stars out of five.
At the time the film was released, it was anticipated that Hollywood would begin to develop more films around the Asian experience, but this did not eventually happen.
Flower Drum Song , released in , was the first film to feature a majority Asian cast telling a contemporary Asian-American story. In the waning of the glow of Joy Luck Club, further Asian American stories were mostly shot down by studios after the brief rush following the film.
In , Ronald Bass , the producer of the film, revealed that a sequel is in the works, waiting to be picked up by a studio or a network.
Both a TV series pilot script and a sequel feature film script have been made. The intention is to reunite the original cast for the sequel, making the film's mothers into grandmothers and daughters into mothers, with Millennial children, in a three-generation story, following the developments of the families since the original film.
The setting would be years after the setting of the film. From Wikipedia, the free encyclopedia. The Joy Luck Club Theatrical release poster.
Hollywood Pictures. Release date. Running time. Wayne Wang , director and one of the producers. Oliver Stone , one of the executive producers.
Amy Tan , novel author and one of the screenwriters. The Joy Luck Club 1st ed. New York City : G. Putnam's Sons.
Turner Classic Movies. United States: Turner Broadcasting System. Retrieved 26 May Harvard Crimson. Retrieved August 11, Retrieved August 23, Trailers and Videos.
Crazy Credits. Alternate Versions. Rate This. The life histories of four Asian women and their daughters reflect and guide each other.
Director: Wayne Wang. Added to Watchlist. From metacritic. The Evolution of Keanu Reeves. Try to Remember Best of the s.
Foreign Asian. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Kieu Chinh Suyuan - The Mother Tsai Chin Lindo - The Mother France Nuyen June - The Daughter Tamlyn Tomita Waverly - The Daughter Lauren Tom Lena - The Daughter Rosalind Chao June's Father Melanie Chang June - Age 9 Victor Wong Retrieved March 5, The New York Times.
Retrieved University of California. Retrieved July 27, Rotten Tomatoes. The Hollywood Reporter. Retrieved August 9, TV Guide : The Washington Times.
Record no. Gene Siskel: The Official Site. Estate of Gene Siskel. Archived from the original on September 11, February 25, Austin American-Statesman.
The Arizona Daily Star. The novelist Amy Tan brought them together". The Independent. Daily News of Los Angeles.
American Film Institute. Entertainment Weekly The Good Enough Mother. The New Yorker. The Salt Lake Tribune. Petersburg Times. British Academy of Film and Television Arts.
National Board of Review. Archived from the original on January 12, Daily Trojan. University of Southern California.
Writers Guild Foundation. Young Artist Awards. April 23, NBC News. Good Morning America. ABC News.
New York Times. Chow 9 September Until It Didn't". Calgary Herald. World Entertainment News Network. Entertainment Tonight.
Works by Amy Tan. Rock Bottom Remainders. Films directed by Wayne Wang. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
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